Try this compressor and you might be pleasantly surprised. It sounds different, it isn’t as mid-forward to my ears but this doesn’t matter if you’re mixing into it and if you’re using a bus compressor you really want to be mixing into it from the beginning of your mix. I love the UAD G series plugin for this but Impact does a great job with the same settings. In truth I usually tend to do one thing with this style of compressor - a couple of dB of compression on the peaks at 2:1 with a 30ms attack and release set to Auto is my regular starting point for anything which is driven by a backbeat on the snare. The important thing about an SSL style bus compressor is to get to know it and to mix into it the whole way through your mix, don’t just pop it in at the end. Without having used the real thing its possible to build up your expectations a bit further than is fair because, while it’s a really useful compressor which, when used right, sounds great on some material. Unlike much of the classic hardware which is endlessly modelled in plugin form, I’ve spent a lot of time hands on with an SSL bus compressor. This control is much easier to understand than its unfriendly name suggests, its an offset between the threshold value when the level is falling compared to the value when the level is rising and can be used to avoid chattering and false triggers. However for general gating duties get to know the hysteresis control. Or check the premium tutorial in which I illustrate the difference between these two, very similar, processes. With so many creative possibilities, as seen in The Jungle Book and Far Cry 4. Buy Now Dehumaniser Simple Monsters Create realistic monsters in a matter of seconds. Read Luke’s recent article in which he draws a distinction between the external side chain compression which is so often what people mean when talking about ducking and ‘real’ ducking which for clarity he refers to as an ‘inverse gate’. Blackhole With the Blackhole plugin, any instrument in your DAW can warp acoustic space and time. One of the big ones for me is a dedicated Ducking mode. However for more general use Pro Expander has some really useful features. For cleaning up drum tracks I’ve been a huge fan of Sonnox’s wonderful DrumGate, which because of its AI wipes the floor over any conventional gate for drums. However I think its relative the Pro Expander gets forgotten about. I have third party alternatives which are really, really good but for everyday compression tasks this is the one for me. Here are five plugins Pro Tools users might have been neglecting. There is some good stuff here so before you convince yourself that you can’t do good bus compression without buying something, actually you might already have what you need. Then there are the people who don’t have premium alternatives. Anyone with a Pro Tools subscription or update plan has these plugins. However just because a premium plugin is better, it doesn’t follow that the stock plugin is bad, and something stock plugins have over third party plugins is ubiquity. If you have Fabfilter’s Pro-Q3 I totally get why you don’t use the 7 band EQIII, the same goes for someone who has Cinematic Rooms who hasn’t opened Revibe II in a while. The best premium plugins are just brilliant. I just checked and found one, you’ll have to read on to find out which though. It has to be said that we often don’t feel the same about plugins we didn’t directly pay for though.Īnyone who has a Pro Tools subscription already has a ton of plugins, and there are probably some you haven’t even opened. And because we’ve spent good money on them we feel appropriately guilty at our wastefulness. When talking about premium third party plugins for many of us that’s true. Ultimately the goal is always better-sounding music production.It’s a common complaint that we all have too many plugins. Therefore, it's crucial for music producers to research different plugins available on the market thoroughly before deciding which one(s) suit their needs best. It's important to note that while these plugins can enhance a mix, they should be used in moderation and with knowledge of how they impact the overall sound.Ī producer must have a clear understanding of what they're trying to achieve before adding any plugin into their workflow. Native Instruments Kontakt Sampler and its libraries can help musicians create realistic instrument sounds, while UAD Neve 1076 Preamp & EQ provides harmonic distortion that adds thickness to vocals, guitars or drums. Plugins like Waves SSL E-Channel and SoundToys Decapitator are highly recommended for those who want to add character and warmth to their mixes, while FabFilter Pro-Q 3 is an excellent choice for those looking for a versatile equalizer. You may also want checkout more plugins mentioned above from Avid Technology, NUGEN Stereo Pack Elements Bundle, Ozone 9 Elements, Auto-TunePro. Are Record Labels Dying? The Future of Record Labels
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